ces clarity and opulence.Her diction is
exemplary, and her versatility is such
that many musical genres are open to
her. One pleasing discovery is the princi-
pal flute player of the Staatskapelle
Weimar (and former Nicolet pupil), Wally
Hase: she plays with an open, flexible
tone, with a well-thought-out amount
of vibrato, and speedy articulation that
betrays an easy familiarity with the
French flute-playing technique. [...]
This is an extremely exciting CD and
another milestone in the long-overdue
discovery of Schulhoff’s works.